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Your Path to a Successful Book

Our $uccess blog will feature writing, marketing, and publishing tips we continue to learn since writing our 2009 INDIE Finalist workbook $uccess, Your Path to a Successful Book keeping our readers abreast of the everchanging skills required to write, publish and sell a successful book. We will also have guest commentators. Achieving your goals as a writer is what matters. Anything we can do to help you get there is our goal. We welcome your comments and hope you will sign up for our bi-monthly (or whenever we have enough material) newsletter.

Archive for the ‘Publishing’ Category

Bad Formatting = Bad E-Books

Wednesday, March 23rd, 2011

I wish I could take credit for the knowledge and comments in the link to Bad Formatting = Bad E-Books, featured on BookBuzzer. This article is right on the mark. Our published books have too many bullets, charts, photos, and variations to be effective e-books in any form other than PDFs.

In formatting books for the future I’ll keep that in mind. However, I personally believe it would be nice to have a program or professional to format new editions. Just like editing, I think there will be a strong market for this skill.

I believe you will find this article worthwhile if you are considering e-books.

Bad Formatting = Bad E-Books

Please take the time to send me your comments on this post. I believe e-books need to be accepted for the value they are, and would be interested in reader’s comments.

Maralyn D. Hill, President
International Food Wine & Travel Writers Association
Books By Hills Success With Writing Where & What in the World
Member: Society of Professional Journalists

Finalist in the Writing and Publishing category of the 2009 Next Generation Indie Book Awards, ”$uccess, Your Path to a Successful Book,”

Publishing – The Good, the Great and the More Difficult

Saturday, January 15th, 2011

Some of this column will be an excerpt from “$uccess, Your Path to a Successful Book,” by Maralyn D. Hill and Brenda C. Hill. This was originally published in The Big Blend Magazine.

The publishing world can be overwhelming, but don’t let it deter you if your passion is to be a published author.

It seems that changes in the publishing industry are happening as quickly as your new computer is outdated. We will attempt to cover some of the basics, but like anything else, we suggest that you research your particular area of interest.

  • What are your goals in publishing your book? In our case, the first joint effort, Our Love Affairs with Food & Travel, chefs were anxiously awaiting publication of their recipes. It was a big factor in our decision to use Print-On-Demand Publishing (POD) and be able to turn it around within four months. This commitment to the chefs was our goal.
  • What is the best timing for your subject? For example, if you are writing your memoirs for a family holiday gift in the summer, POD or self-publishing your book will have it ready before the winter holidays. This approach can assist you in planning your timing.
  • Are you on a budget? The difference between Print-on-demand (POD), self-publishing and a more prestigious and costly literary press was more than double, if we accepted the publisher’s proposal. This was a major cost difference.
  • How much editorial license are you willing to give up? For us, the traditional publisher, who would have taken twelve to fifteen months to publish, had the final say on the title, editing and cover. We self-edited, then used our own editor, and designed our own cover. It was important to us to maintain this license.

Traditional publishing is what we may all dream about, but is not realistic to expect, unless you are well-known. You can be just as successful using POD or self-publishing if you are willing to market your book.

You will hear agents and many reviewers say that independent presses and print-on-demand (POD) publishers are scorned. They used to be lumped with “vanity” presses and many still are. As more reputable firms are on the scene and wannabe authors are realizing their manuscript needs to be professionally edited and have a marketing plan, these author-subsidized methods are becoming better received. Even prestigious contests have categories for self-published authors.

An additional fact is that mainstream publishers are closing down. There are six major publishers left. All but one insist on incoming books having an agent. Jerry Simmons, author of “What Writers Need to Know About Publishing,” states that of 1500 new titles a year from the big six, 150 of the titles generate 90% of the revenue.

Brian Jud and Dan Poynter are well-known self-published authors. Penny Sansevieri wrote three successful self-published books and in 2008 was signed to a great contract for all three books with a traditional publisher. All three authors market, market and market.

No matter which method you want to use, you need a marketing plan. You will note that this is a common thread throughout my columns. If you can’t figure out who your market is and how to market your book, it will not go flying off bookstore shelves or Amazon or publisher’s websites.

If you really want traditional publishing, then I suggest you attend a writer’s conference where they will set up appointments for you with agents looking for new material. You need to be prepared, which I’ll cover at another time, or you can read about this topic in our book.

The majority of you will probably benefit from going with POD.

What is POD? Digital printing technology enables a book to be printed and bound in a few minutes. It provides a cost effective means to print as little as one or several books at a time. It does not involve the costly setup fees associated with regular offset printing.

How do you pick a POD?

  • Talk to others.
  • Read publishers’ contracts thoroughly.
  • Go on-line to writers’ forums and see what others say.
  • A Google Search for Print on Demand will get current articles on the subject.
  • Set-up costs naturally matter, but free or low does not necessarily mean best.
  • Do you want or need color printing? That limits the number of POD publishers.
  • Do you want to include a CD with your book? Some POD publishers now offer that service.
  • Do the publishers charge an annual fee to keep you listed on their website?
  • Do the publishers accept book returns from book stores?
  • What type of discount does the author receive?
  • How often does the publisher pay royalties?
  • How do they distribute your book?
  • Do they have a website with pages devoted to your book?
  • Do they provide you with the details to format your own book or must you pay extra to use their formatting service?
  • What, if any, rights do they expect to have? Be sure you maintain your copyright.

Most authors want the basic package to include internal layout, ISBN number, and distribution through on-line stores including Amazon, and Barnes & Noble.

Read the contract and be careful not to give away your rights. Compare royalties and how they are determined and paid. Be sure listing is available through Ingram or Baker and Taylor if you want any chance of being placed in local bookstores. Also, a return program is a plus. Finally, the publisher’s reputation matters.

Most who publish with traditional publishers, large or small, will say that is the only way to go. However, we’ve met many who were published traditionally and when their sales dropped to 5 or 10,000 annually, they were dropped. In a few cases, these individuals started their own publishing company, went with a small publisher, or POD.

Even though POD is not as cost effective as a press where you purchase 1-5,000 books at a time (and store and ship them), we feel the services POD provides outweigh the cons.

There is too much on publishing to be included in one column. So, I’ll be writing about it periodically. If you are hungry for more information but not ready to wait until next month or buy our book, you can also visitwww.noralyn.com/blogger/success for additional writing tips.

In the meantime, please feel free to e-mail any questions and I will answer them in the next issue. Click Here to Email Maralyn your Writing or Publishing Question.
You deserve to be a published author and that is achievable. With passion and perseverance, you can be a successful published author.

Maralyn D. Hill, President
International Food Wine & Travel Writers Association
Books By Hills Success With Writing Where & What in the World
Member: Society of Professional Journalists

Finalist in the Writing and Publishing category of the 2009 Next Generation Indie Book Awards, ”$uccess, Your Path to a Successful Book,”

Excerpt from “Is it a Sale or a License” by Ivan Hoffman, B.A., J.D.

Tuesday, September 28th, 2010

I recently read this article with great interest. I’m only quoting an excerpt with a link to the article as the material and knowledge certainly was not mine. However, I think it is well worth reading.

Ivan Hoffman’s words:

Here is the situation: you have a written contract for the production and sale of records, books or other creative works.  And now the work is being offered as a download on another site.  Is the download deemed a sale of the work or is it a license of the work?

The difference is very important.  Sales of a work are generally paid to the creator (author, recording artist etc.) at a lower rate (often a percentage of the retail or wholesale price) but licenses of the work, since they generally involve no production or other expenses on the part of the publisher or record company or other distributor, are generally paid to the creator at a percentage of the license fee, perhaps including any advances received by the publisher, record company or other distributor, and usually range anywhere from 25% to 50% or higher of the gross.

This issue has become most prevalent in the record business where often the agreements were drafted long before there was anything like downloading available.  However, it is also quite prevalent in the book publishing business given the fast growing market for downloadable books.

And so the parties and in turn the courts have had to interpret the intent of the parties as expressed in the agreement.  Keep in mind that these matters are very much about the language of the individual agreement and thus the lesson here, as in many of my other articles including those in the series “Precise Contract Language” (click on “Articles for Writers and Publishers” and “Articles for Recording Artists, Songwriters and Actors”) is about clear drafting and not using forms.  A great deal of money can ride on the outcome and trying to “save” money by not having an experienced attorney draft the agreement can turn out to be very “expensive.”  In the case discussed in this article, the decision seemed to turn on one single word!

Copyright © 2010 Ivan Hoffman.  All Rights Reserved.

For the rest of this article, please go to: IvanHoffman.com. Ivan has many articles and a newsletter that many writers and publishers would find useful. I had permission to list what I did.

Maralyn D. Hill, President
International Food Wine & Travel Writers Association
Books By Hills Success With Writing Where & What in the World
Member: Society of Professional JournalistsFinalist in the Writing and Publishing category of the 2009 Next Generation Indie Book Awards, ”$uccess, Your Path to a Successful Book,”