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$uccess

Your Path to a Successful Book

Our $uccess blog will feature writing, marketing, and publishing tips we continue to learn since writing our 2009 INDIE Finalist workbook $uccess, Your Path to a Successful Book keeping our readers abreast of the everchanging skills required to write, publish and sell a successful book. We will also have guest commentators. Achieving your goals as a writer is what matters. Anything we can do to help you get there is our goal. We welcome your comments and hope you will sign up for our bi-monthly (or whenever we have enough material) newsletter.

Posts Tagged ‘The Big Blend Magazine’

Character Development from “Success”

Tuesday, January 18th, 2011

This article is an excerpt from the book that I co-authored with Brenda C. Hill. When working with character development, our book is quite comprehensive. It was also published on The Big Blend Magazine.

Character Development
Excerpt: $uccess, Your Path to a Successful Book

Fiction and non-fiction (true stories) need well developed characters and plots. If you don’t know where you are going, your reader won’t either.

You must know your central conflict in order to develop it. Readers want conflict and resolution.

Characters need to react in specific ways to the conflict of the plot and need to talk and introspect about how they act.

Non-fiction must be concise and accurate and you must know the market you are targeting.

Research
Research your background material. This can help you expand your characters’ depth in their jobs, home life, and personal likes and dislikes.

Create and know your characters. John Ames suggests a character notebook for the major ones, so you know intuitively how they would react in any situation. Ames says, “Your notebook should list the character’s traits, likes and dislikes, overwhelming passions in life, and of course the fatal bête noire which the character must overcome to grow.”

Hank Sears’ advice is, “You have to know your characters somewhat better than you know yourself. Know the date of birth, education, physical characteristics—the works. Write family trees. Then file it all away for reference in case you forget a character’s age or eye color.”

Barnaby Conrad says, “Making the reader like or dislike the character is generally half the battle.”

Ayn Rand, who continues to have a best selling novel worldwide, Atlas Shrugged, many years after her death, wrote, “All writers have to rely on inspiration. But you have to know where it comes from, why it happens, and how to make it happen to you.”

We suggest reading Please Understand Me: Character and Temperament Types, by David Keirsey and Marilyn Bates. It goes into 16 personality types based on Jung, Myers and Briggs. It will provide incredible insight into what makes people tick and is an easy read.

Characters
When writing fiction, make sure your characters are developed, integrated to the plot, memorable and real. Know what makes them tick. Be sure to resolve their issues and know where they fit.

In trying to bring your characters to life, think of:

  • Complexions and skin types
  • Blemishes—birthmarks, pimples, moles, beauty marks, scars
  • Eye type—shape, colors, variations
  • Noses—button, hook, wide, tiny, big
  • Hair—colors, textures, styles
  • Facial hair—beards, mustaches
  • Body hair—hairy arms, hairless arms
  • Head shapes—large, small, round, elongated
  • Mouth—cupid, thin lipped, large lips
  • Chin/jaw—square, pointed, rounded
  • Cheeks—full, puffy, rosy, shallow
  • Teeth—bright white, yellowish, crooked, protruding
  • Facial types—odd or interesting, big, attractive, aged
  • Body types and parts—attractive, big, aged, distinctive, necks, shoulders, hands and arms, chest, breasts, belly, legs and hips, feet
  • Voices—high, low, deep, dialects, whiney, strong

After describing your characters’ physical characteristics, move on to their personality:

  • Introvert—quiet, shy, standoffish, loner
  • Extrovert—outgoing, meeting and greeting, first with an answer
  • Cold or warm and inviting
  • Domineering or overbearing
  • Nervous, shy or submissive
  • Sad or gloomy
  • Intelligent, street smart, slow, ignorant
  • Boring, know-it-all, dull
  • Eccentric, unique in style and thought
  • Charming, likeable, knows what to say
  • Well-bred, good manners, polite, knows what to do and say
  • Devious, sly, questionable, always looking for angles
  • Evil
  • Amoral, no values
  • Annoying, nerve racking, wearing
  • Puritanical, strict in approaches, unbendable
  • Happy, cheerful, comfortable
  • Type A, go-getter, workaholic, driven
  • Type B, laid back, takes it easy, slower paced
  • Mentally ill (type of mental disorder)
  • Psychological and psychiatric problems
  • Diseases, disorders, or afflictions
  • Alcoholic or substance abuse
  • Flirtatious
  • Childish
  • Strong, brave or weak
  • Vices, abuser, pushes people around
  • Addictions, drug, alcohol, food, shopping, gambling
  • Hobbies
  • Sports
  • Associations
  • College degrees and where they are from
  • Occupations

Next consider the body language:

  • Expressions, smiles, frowns, grimaces.
  • Reactions, eye roll, blush, contemptuous, conveying irony.
  • Gestures, thumbs up, fist, shrug.
  • Dress, neat, expensive, sloppy, attention to detail, in style, out of style.
  • Given names and surnames—it’s always nice when you take the time to have them tie in with the personality.

If this list seems overwhelming, we’d suggest you use the book, The Writer’s Digest Sourcebook for Building Believable Characters, by Marc McCutcheon. In addition to going into more detail, it has exceptional forms and explanations.

Write a biography of each character. Once you know your characters well, you’ll better understand how to integrate them in your story. Remember, you may have more in your inventory than what makes your story. But, this will assist you in your plot. Readers do not want to know every aspect of your characters. Bringing in the most important part is what matters.

Example: List the articles in a woman’s purse: Lipstick, makeup, wallet (credit cards, money), dental floss, note pad, pen, business cards, stamps, letter, glasses, and a small handgun. Now write a brief description of what you noticed when helping her pick up the contents: Annabel dropped her purse and it flew open, scattering the contents. As her lipstick rolled across the foyer, I retrieved it as she quickly moved to replace the handgun before anyone noticed. I wondered, why would Annabel have a handgun? The other items in Annabel’s purse may or may not come into play later in your story.

Your turn; write a brief description of what you noticed when a female character drops her purse.

A parting note for this month: Get to know your characters as well as you know yourself. Some of them may be from the hidden self you generally don’t show to the world.  Believable is the goal.

Maralyn D. Hill, President
International Food Wine & Travel Writers Association
Books By Hills Success With Writing Where & What in the World
Member: Society of Professional Journalists

Finalist in the Writing and Publishing category of the 2009 Next Generation Indie Book Awards, ”$uccess, Your Path to a Successful Book,”

Publishing – The Good, the Great and the More Difficult

Saturday, January 15th, 2011

Some of this column will be an excerpt from “$uccess, Your Path to a Successful Book,” by Maralyn D. Hill and Brenda C. Hill. This was originally published in The Big Blend Magazine.

The publishing world can be overwhelming, but don’t let it deter you if your passion is to be a published author.

It seems that changes in the publishing industry are happening as quickly as your new computer is outdated. We will attempt to cover some of the basics, but like anything else, we suggest that you research your particular area of interest.

  • What are your goals in publishing your book? In our case, the first joint effort, Our Love Affairs with Food & Travel, chefs were anxiously awaiting publication of their recipes. It was a big factor in our decision to use Print-On-Demand Publishing (POD) and be able to turn it around within four months. This commitment to the chefs was our goal.
  • What is the best timing for your subject? For example, if you are writing your memoirs for a family holiday gift in the summer, POD or self-publishing your book will have it ready before the winter holidays. This approach can assist you in planning your timing.
  • Are you on a budget? The difference between Print-on-demand (POD), self-publishing and a more prestigious and costly literary press was more than double, if we accepted the publisher’s proposal. This was a major cost difference.
  • How much editorial license are you willing to give up? For us, the traditional publisher, who would have taken twelve to fifteen months to publish, had the final say on the title, editing and cover. We self-edited, then used our own editor, and designed our own cover. It was important to us to maintain this license.

Traditional publishing is what we may all dream about, but is not realistic to expect, unless you are well-known. You can be just as successful using POD or self-publishing if you are willing to market your book.

You will hear agents and many reviewers say that independent presses and print-on-demand (POD) publishers are scorned. They used to be lumped with “vanity” presses and many still are. As more reputable firms are on the scene and wannabe authors are realizing their manuscript needs to be professionally edited and have a marketing plan, these author-subsidized methods are becoming better received. Even prestigious contests have categories for self-published authors.

An additional fact is that mainstream publishers are closing down. There are six major publishers left. All but one insist on incoming books having an agent. Jerry Simmons, author of “What Writers Need to Know About Publishing,” states that of 1500 new titles a year from the big six, 150 of the titles generate 90% of the revenue.

Brian Jud and Dan Poynter are well-known self-published authors. Penny Sansevieri wrote three successful self-published books and in 2008 was signed to a great contract for all three books with a traditional publisher. All three authors market, market and market.

No matter which method you want to use, you need a marketing plan. You will note that this is a common thread throughout my columns. If you can’t figure out who your market is and how to market your book, it will not go flying off bookstore shelves or Amazon or publisher’s websites.

If you really want traditional publishing, then I suggest you attend a writer’s conference where they will set up appointments for you with agents looking for new material. You need to be prepared, which I’ll cover at another time, or you can read about this topic in our book.

The majority of you will probably benefit from going with POD.

What is POD? Digital printing technology enables a book to be printed and bound in a few minutes. It provides a cost effective means to print as little as one or several books at a time. It does not involve the costly setup fees associated with regular offset printing.

How do you pick a POD?

  • Talk to others.
  • Read publishers’ contracts thoroughly.
  • Go on-line to writers’ forums and see what others say.
  • A Google Search for Print on Demand will get current articles on the subject.
  • Set-up costs naturally matter, but free or low does not necessarily mean best.
  • Do you want or need color printing? That limits the number of POD publishers.
  • Do you want to include a CD with your book? Some POD publishers now offer that service.
  • Do the publishers charge an annual fee to keep you listed on their website?
  • Do the publishers accept book returns from book stores?
  • What type of discount does the author receive?
  • How often does the publisher pay royalties?
  • How do they distribute your book?
  • Do they have a website with pages devoted to your book?
  • Do they provide you with the details to format your own book or must you pay extra to use their formatting service?
  • What, if any, rights do they expect to have? Be sure you maintain your copyright.

Most authors want the basic package to include internal layout, ISBN number, and distribution through on-line stores including Amazon, and Barnes & Noble.

Read the contract and be careful not to give away your rights. Compare royalties and how they are determined and paid. Be sure listing is available through Ingram or Baker and Taylor if you want any chance of being placed in local bookstores. Also, a return program is a plus. Finally, the publisher’s reputation matters.

Most who publish with traditional publishers, large or small, will say that is the only way to go. However, we’ve met many who were published traditionally and when their sales dropped to 5 or 10,000 annually, they were dropped. In a few cases, these individuals started their own publishing company, went with a small publisher, or POD.

Even though POD is not as cost effective as a press where you purchase 1-5,000 books at a time (and store and ship them), we feel the services POD provides outweigh the cons.

There is too much on publishing to be included in one column. So, I’ll be writing about it periodically. If you are hungry for more information but not ready to wait until next month or buy our book, you can also visitwww.noralyn.com/blogger/success for additional writing tips.

In the meantime, please feel free to e-mail any questions and I will answer them in the next issue. Click Here to Email Maralyn your Writing or Publishing Question.
You deserve to be a published author and that is achievable. With passion and perseverance, you can be a successful published author.

Maralyn D. Hill, President
International Food Wine & Travel Writers Association
Books By Hills Success With Writing Where & What in the World
Member: Society of Professional Journalists

Finalist in the Writing and Publishing category of the 2009 Next Generation Indie Book Awards, ”$uccess, Your Path to a Successful Book,”

How to Build a Platform as an Expert–Seven Tips

Tuesday, January 4th, 2011

Many of you may or may not think of yourself as an expert, but it’s to your benefit to build an expert platform.  Why do you need it? Well, if you don’t consider yourself as an expert, why should someone else? If you’re an expert, others will be more inclined to read your book or your articles.

Targeting a larger audience, the Internet provides many short cuts to building an expert platform. Added to off-line techniques, you can “brand” yourself. I’m going to mention some of the things that have worked for me in the past 2-1/2 years.

When I had a TV and Web feature for Time-Warner Cable from 2002 to 2006, I did not have to worry about my platform. My profile, column and TV show were featured daily on a TWC website and 4 to 10 times a week on cable channel. I didn’t have to worry about a platform. Everyone knew me.

Let’s move ahead to 2007. I had been in Phoenix one year and I no longer had a daily web presence, even though I had a website. It did not have new content.

Here is how I suggest starting:

1. On-line networking sites (Linkedin, Facebook, Twitter, Digg, Stumbleupon and other social sites).  Keep your social sites focused on business.

  • Start with one and a month later add another one.
  • Refer to my “Successful with Words” column of on-line bios for making this process easier.
  • Learn one site before you move on to the next.
  • Spend 15 minutes to 1 hour a day on this, depending on your schedule.

2. Write a newspaper or magazine column or an online column.

  • Place articles in on-line magazines.
  • Make comments on blogs about your topic and sign off with your name and website or blog address.

3. Have a web page with a blog

  • A blog to which you add posts a minimum of once a week will keep your web page in search engines showing new content. Otherwise, it will be static.
  • Be sure your website is well designed and uses key words. People read web-sites like a “Z”. So, the upper left corner is the most important spot, then upper right, lower left and finally the lower right.

4. Have your e-mail signature include your website and blog address.

5. Secure speaking engagements whenever possible (If you have a book, speaking assignments are the best place to sell your book).

6. Be a host on radio shows or TV shows whenever possible.

7. Be active in professional organizations (on the Board or a Committee is beneficial).

Many don’t think it is necessary to have an expert platform. They will be left behind, as this online pace keeps moving at a faster pace. I started when marketing/publicity was quite standardized. I’ve had to rebuild and cement my own platform. You need to be willing to share knowledge. Readers/listeners want to know, “What’s In It For Me,” WIIFM. The improvement in my book sales, speaking engagements, editing assignments, and earning opportunities has increased. There are many more steps, but this is a start I know works.

Please feel free to ask me questions about any of my suggestions.

This was originally published on The Big Blend Magazine.

Maralyn D. Hill, President
International Food Wine & Travel Writers Association
Books By Hills Success With Writing Where & What in the World
Member: Society of Professional Journalists

Finalist in the Writing and Publishing category of the 2009 Next Generation Indie Book Awards, ”$uccess, Your Path to a Successful Book,”