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Your Path to a Successful Book

Our $uccess blog will feature writing, marketing, and publishing tips we continue to learn since writing our 2009 INDIE Finalist workbook $uccess, Your Path to a Successful Book keeping our readers abreast of the everchanging skills required to write, publish and sell a successful book. We will also have guest commentators. Achieving your goals as a writer is what matters. Anything we can do to help you get there is our goal. We welcome your comments and hope you will sign up for our bi-monthly (or whenever we have enough material) newsletter.

Posts Tagged ‘brenda c hill’

52 Ways to Sell More Books! Tip #41 from AME

Wednesday, March 28th, 2012
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Tip #41

Why (some) Authors Fail

Sorry for the buzz kill title of this article, but instead of spreading pixie dust as many marketing articles do, I thought I’d take a hard look at the realities of self-defeating behavior and some of the things authors might buy into that will sabotage their careers. Over the years I’ve written a lot of articles on how to be successful, but to be successful you must first learn how to fail up, meaning that you learn from what you did wrong, take full responsibility for it and move on. Lessons in publishing are often costly, both in time and dollars. I don’t presume to tell you that you should avoid making any mistakes, but many of them are avoidable. Here are a few for you to consider.

Not Learning Enough About the Industry

The first piece of this is simple: get to know the market you are in. This is a bit of a dual message because I’m not just speaking of the market you are promoting to: your area of expertise, but also to the publishing industry at large. Who else is publishing in this area? What are they publishing? Is your area of writing hot or a fading trend? These are all good things to know before you jump headlong into your area. Getting to know your market can help you not only avoid expensive errors but also possibly incorporate trends into your book that could help to leverage its success. How to learn about the industry? Read up on it at sites like Publishersmarketplace.com, subscribe to the free or paid newsletter the site offers. This will give you a good sense of what’s selling, who’s buying, what’s being published. Publishers Weekly is another good resource. If you can’t afford a subscription try their online site at publishersweekly.com, or check out your local library to see if they carry any copies. This is a great industry resource.

Not Accepting Feedback

A couple of weeks ago an author who has sat in on a number of my classes, both online and off, asked me numerous times how she could get onto Huffington Post as a blogger. I told her I would try to pursue a Huffpo blogger for her to get feedback on her work. I did this as a favor because, well, she was relentless in her pursuit of this and I had to admire that. So, I finally got a blogger to review her work and the critique came back not so good. In fact it was terrible. I sat on it for a day, wondering if I should share it with her. I finally decided that if she was so relentless about her career, she would be equally relentless about crafting a perfect message, right? Not so much, actually. When I forwarded her the feedback she shot me off an email saying that many other people loved it and that astrologically this was a terrible time to accept feedback so she would dismiss it. Some moon phase or something. I honestly can’t recall. No, I’m not making this up. OK, listen, full confession time here. I have a friend who calls me whenever Mercury is retrograde, “don’t buy anything electronic” she says, and I listen. Well, sometimes. Anyway, point being that I get that we’re all driven by a different drummer, but if someone takes the time to critique your work why would you not try to learn from that? Look, I know not everyone is going to be spot-on with their feedback, but take from it what you can and move on – better yourself, better your writing.

Feedback is a crucial part to any writer’s career. If someone who is more knowledgeable than you about the industry you are in is willing to give you feedback you should listen. Really. In a room of one hundred authors I can pick out the successful ones. You know who they are? They are the ones who aren’t so wrapped up in their egos that they aren’t willing to listen and learn.

Not Surrounding Yourself with Enough Professionals

Let’s face it, your mother and immediate family will love anything you write. These are not the people who will offer you the kind of guidance that will further your career. Yes, they will (and should) love and support you through this work, but you need professionals you trust by your side giving you advice, wisdom, and direction. You don’t need to keep a group of experts on retainer, but you need to know who they are so you can call on them when you need help.

Not Doing Their Research

What would you think of a store owner who opened a yogurt shop in downtown San Diego only to find that five other stores were opening within months of his, one of them a very successful franchise with a huge following? Wouldn’t this make you sort of wonder why on earth this store owner would do that, I mean open a store without doing the proper research? Then why on earth would you launch head first into publishing without knowing your market – I mean the publishing market? So many authors learn the ropes after their book is out, and by then it’s too late. Well, not too late really because you still have a book, but late in the sense that you can’t really do anything about mistakes made and the money it’s gonna cost you. There are a ton of online resources out there. Get to know them, I’ve listed a number of them in this article and there are more, many more. The Internet is abundant with free content. Use it.

Measuring Their Success in Book Sales

Many of you might be shaking your head wondering how I could possibly say this, but it’s true. Book sales, even in the best of economic climates, are sketchy and planning your success or failure around them is a very bad way to market your book. Here’s the reality: exposure = awareness = sales. The more exposure you get, the more awareness there is for the book, the more sales you may get. But this equation takes time and in the midst of this marketing many other really great non-book-sale-related things may happen. An example of this is an author who didn’t really sell a lot of her books as she was marketing, but found that her speaking gigs started to pick up. Each speaking gig netted her about fifty book sales, and because of the market she was in, many of those book sales turned into individual consulting gigs that brought in much more revenue than a single book sale ever could have. Get the picture?
The other reason I say this is because book sales can be tough to calculate, many reporting agencies don’t report sales for three to six months. I know this sounds crazy but it’s part of the reason why publishing is such a tricky business. So, if you’re doing a huge push in December and you look at your statement in January and find that you’ve only sold 3 books, it might be because you’re looking at sales figures from September or October when you weren’t doing any marketing at all.

Still not convinced? Then let me share my own story with you. As of today, Red Hot Internet Publicity has been out since July of 2009. I suspect to date it’s sold 5,000 or fewer copies. Not impressive, is it? Does that number bother me? Not at all. Want to know why? Because out of the copies sold I have probably brought twenty to thirty new authors on board who will likely be authors for life. Also, I got a teaching gig at NYU because someone handed someone at NYU this book and all of a sudden – there you have it. So if I measured my success by book sales, you bet I’d be depressed. Thank God I don’t. Book sales aren’t what drive my success. The same should be true for you. Start measuring your success in other ways and book sales will come. I promise.

Seth Godin aka brilliant marketer addressed this in a recent blog post too:http://bit.ly/9n1Y9v

Not Understanding How New York Publishing Works

We may not like how the corporate publishing model works, we may find fault with it, but to understand it is to understand how the industry works. For example, knowing the publishing seasons and why Fall is the biggest time for New York publishers to launch a book and perhaps the worst time for you to send your book to market if you’ve self-published.

Also, know that that corporate publishers don’t publish to niches, or rarely do, so if you’re publishing to a niche, you may have a real leg up.

As for bookstores, the big six in New York pretty much own most of the shelf space in your local Barnes & Noble, so if you’re vying to get in there, you are going to have to do more than show up with a book in hand and a winning smile. You’re going to have to promote yourself to that local market and gain enough interest for your book that people start asking for it in bookstores.

Understanding the corporate publishing model means knowing and researching your industry and again, not just the industry you are writing for, but the market of publishing in general. Knowing what’s selling, what’s not – who’s buying, who’s closing their doors. Knowledge is power. Arm yourself with it and you’ll have a much more successful campaign.

Playing the Blame Game

If something goes wrong, own it. Unless it’s really not your fault, unless you were taken for a ride somehow, swindled or whatever. Own it. Take responsibility. Here’s an example. Recently an author came up to me after a class I taught and said she’d pitched 200 bloggers and only 5 of them wanted her book. What was wrong with them? Well, maybe it wasn’t the bloggers at all. Bloggers are busy, busier than they’ve ever been so your pitch has to be strong and your book exactly right for the blogger you are pitching. If you’re not getting a lot of pick up on your pitch you might need a new pitch and/or you might need a new set of bloggers. Don’t assume it’s someone else’s fault. Investigate what happened and take a critical look at the results. If you don’t feel you can be objective, hire someone to sift through the data. Assuming success eluded you because of someone else’s lack of interest or follow through might be undermining your campaign and you could be missing out on important data that could really help turn your campaign around.

Believing in the Unbelievable

There are no guarantees. No one can promise book sales, fame, or Oprah. Period. End of story. If someone is promising you these things, run, or if the offer seems too good to be true it likely is. If all else fails ask someone you trust. I get folks asking me all the time about campaigns, programs, and marketing opportunities. Feel free to do the same. Whether you are working with us or not, now or in the future, I will always give you a fair and honest answer. If you’d rather go to someone else, great – but find someone whose opinion you trust and ask before signing on the dotted line.

Success is not about hard work alone, it’s also about making smart, savvy choices and not being blinded by your own ambition, creativity, or ego such that it undermines your work. To be successful you need to be relentless, believe in your work and your mission but you also need to be objective, realistic, and humble. That is a successful mix for any author and in the end, isn’t really about getting the book out there? Focus on what matters. Good luck!

Helpful Resources:

Some great and helpful books:

  • Dan Poynter’s Self-Publishing Manual, Volume 2: How to Write, Print and Sell Your Own Book (ParaPublishing, 2009) Dan Poynter
  • The Complete Guide to Self-Publishing: Everything You Need to Know to Write, Publish, Promote and Sell Your Own Book (Writer’s Digest, 2009 or 2010) Marilyn Ross & Sue Collier
  • Doing Business by the Book: How to Craft a Crowd-Pleasing Book and Attract More Clients and Speaking Engagements Than You Ever Thought Possible – Sophfronia Scott (Advantage Media Group, 2008)
  • 1001 Ways to Market Your Book – John Kremer (Open Horizons, 2009)
  • Red Hot Internet Publicity – Penny Sansevieri (Cosimo, 2009)
  • Get Published Today – Penny Sansevieri (Lulu Publishing, 2010)

Great Publishing Blogs

How would you like a free marketing evaluation of your book? Find out how by emailing me! penny@amarketingexpert.com

Wishing you publishing success,

Penny & Everyone at AME

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Penny C. Sansevieri, Adjunct Instructor NYU
Author Marketing Experts, Inc.
http://www.amarketingexpert.com/

Maralyn D. HillBrenda C. Hill
International Food Wine & Travel Writers Association
Books By Hills Success Log Global Log
2009 INDIE Finalist, “Success, Your Path to a Successful Book.”

Next Generation Indie Book Awards Call for Entries – Over $10,000 in Monetary prizes, 60 categories

Thursday, January 19th, 2012

This was great for our book, Success, Your Path to a Successful Book. Being a “Finalist” made a difference. Plus the critique of what would have made the difference helped us.

Call for Entries for 2012 Next Generation Indie Book Awards

If you would like to receive greater recognition, monetary prizes, awards and exposure for your books, here is an opportunity not to miss. Enter the 2012 Next Generation Indie Book Awards atwww.IndieBookAwards.com.

Calling all indie book authors and publishers – including small presses, mid-size independent publishers, university presses, e-book publishers, and self-published authors who have a book written in English released in 2011 or 2012 or with a 2011 or 2012 copyright date to enter the most rewarding book awards program.

It offers 60 Categories - More than 60 Awards – with 67 monetary prizes totaling more than $10,000 in cash, including $1,500 cash prizes plus trophies for best fiction book and best non-fiction book, $750 cash prizes plus trophies for second best fiction book and non-fiction book and $500 cash prizes plus trophies for third best fiction book and non-fiction book!

Entry Deadline – February 24, 2012.

The Next Generation Indie Book Awards is the largest NOT-FOR-PROFIT book Awards program for independent authors and publishers and the only book awards program of its kind offering more monetary prizes, more awards, recognition and exposure including exposure to a leading Literary Agent for possible representation in areas such as distribution, foreign rights, film rights, and other rights!

Presented by Independent Book Publishing Professionals Group (IBPPG) in conjunction with Marilyn Allen of Allen O’Shea Literary Agency, the Indie Book Awards was established to recognize and honor the top independently published books of the year. IBPPG was formed to provide support and recognition for the independent book publishing profession and we encourage all independent authors and publishers to enter their books in the 2012 Indie Book Awards so that they too can earn recognition and receive other benefits from having an award-winning book!

Awards given to the Finalists and Winners of the 2012 Indie Book Awards are:

$1,500 cash prize and trophy awarded to the best Fiction Book

$1,500 cash prize and trophy awarded to the best Non-Fiction Book

$750 cash prize and trophy awarded to the second best Fiction Book

$750 cash prize and trophy awarded to the second best Non-Fiction Book

- $500 cash prize and trophy awarded to the third best Fiction Book

$500 cash prize and trophy awarded to the third best Non-Fiction Book

$250 cash prize and trophy awarded to the Best Design Book entry

- $100 Cash Prize and a Gold Medal awarded to the winner of each of the 60 categories

- Finalist Medals will be awarded to up to four finalists in each of the 60 categories
Finalists and Winners will also receive:

- An invitation to the gala awards ceremony held at the world famous Plaza Hotel in New York City in June, 2012

- A listing in the 2011 Next Generation Indie Book Awards Catalog which will be distributed to thousands of book buyers, media, and others!

Exposure for a full year at www.IndieBookAwards.com as a Winner or Finalist.

- The opportunity to display Finalist or Winner gold award stickers on your book.

- Other benefits of an award-winning book (such as potential increased revenue).

PLUS, the top 60 books will be sent to be reviewed by New York literary agent Marilyn Allen of Allen O’Shea Literary Agency or one of Ms. Allen’s co-agents for possible representation in areas that could generate even more revenue for your book (unless an entrant prefers not to have their book forwarded to the agent). Ms. Allen has over 25 years of sales and marketing experience, including serving as Senior Vice President, Associate Publisher, and Director of Marketing for Harper Collins and directing sales and marketing teams for Simon & SchusterPenguin Books and Avon Books. Ms. Allen has had the pleasure of working with many best-selling authors including Stephen King, Ken Follett, Barbara Kingsolver, John Gray, Mary Higgins Clark, and many more.

“Independently-published books have become a major source for quality fiction and non-fiction, but often go unrecognized by the mainstream publishing industry,” notes Marilyn Allen. “Finally, an award program has been created to recognize talented authors from this important segment of our industry. Our agency represents over 100 authors and we’re always looking for new talent, so it is a great pleasure to be part of this program. We look forward to reviewing the works of the 60 best candidates and helping these authors gain the recognition they deserve.”

All Finalists and Winners will be notified prior to May 30, 2012.

ENTRY GUIDELINES AND CATEGORIES: For complete entry guidelines AND to see a list of the 60 categories you can enter go to http://www.indiebookawards.com/entryguidelines.php

ONLINE ENTRY FORM: To enter online now go to http://www.indiebookawards.com/onlineentryform.php

We wish you much success with your book!

Shelley Anderson

Awards Co-ordinator

Next Generation Indie Book Awards

Independent Book Publishing Professionals Group

www.IndieBookAwards.com

CityRoom, JustLuxe, The Epoch Times, Big Blend, Spa Review Magazine, Global Writes

Finalist in the Writing and Publishing category of the 2009 Next Generation Indie Book Awards, ”$uccess, Your Path to a Successful Book,”

Tips for Writing a Cookbook

Sunday, December 4th, 2011

Cookbook and Tips

I wrote this article originally for Big Blend’s Success Express. I thought I’d share here. When Brenda and I wrote our first book, Our Love Affairs with Food & Travel, we did not have the knowledge of a lot of these details. It’s a great book featuring over 90 chefs from 19 countries and 17 states. However, it could be better with formatting and the knowledge we have learned along the way.

http://successexpressmagazine.com/WritingACookbook.html

Here is the radio interview that goes along with the article: http://www.ezwebplayer.com/VE5I1za

Tips for Writing a Cookbook

There are many reasons for writing a cookbook. Some are as easy as the desire to create a history of family recipes, while others wish
to write a best seller. There are many questions you need to ask yourself, but knowing why you want to write a cookbook is at the top of the list.

Rather than start with the difficult, I’ll start with what would apply to either category.

  • Your cookbook should have a niche, whether it is family, community, cooking for one, quick and easy, ethnic, or whatever you dream up.
  • Let your book tell a story about each recipe or region. Readers enjoy knowing the background.
  • Generally, those who write the most successful cookbooks have a love and passion for food. This should shine through. When I type a recipe, I can taste the combination of ingredients in my head. Of course, that is not a requirement, but an added bonus.
  • Go to your local bookstore or go through your own cookbook collection and study their formats. Which ones are easier for you to follow and more enjoyable? Use that as a guide when figuring out how to format your recipes, as they should all be formatted the same.

When writing your recipes, keep them clear and simple. There are some basic rules to follow:

Ingredients:

  • List the ingredients in the order they will be used.
  • When listing, be sure to say what to do with them and what size, i.e. 1 medium onion, chopped fine; 1 large lemon, peeled and cut into wedges; A 13 to 15.5 ounce can of tomatoes, etc.
  • If you are going to use a ingredient in parts (3/4 in the beginning and ¼ later), make reference to it, i.e. ¾ cup of sugar (keeping ¼ back for topping).
  • Make sure all of the ingredients you list are used unless you say optional.
  • When possible, list the size bowl or pan to use. This is quite important for baking—an 8” square pan takes longer to bake than a 9” square pan.

Baking, deep-frying, broiling or grilling:

  • Specifying preheating to a certain temperature before using.
  • Provide a doneness test if available.
  • If a pan needs to be prepared, be sure to indicate how: Spray with non-stick coating; grease and lightly flour the bottom and sides; or make sure the oil is hot before you submerge food.
  • Instructions should be easy and quite clear. The more complex they are, the less likely they are to be followed accurately or the recipe would be selected. However, do not shortchange how to do something specific, i.e. clarifying butter. You should always spell out a process like that, unless your book is aimed towards chefs.

Layout of book:

  • All recipes should be formatted the same throughout the book. The exception would be recipes from chefs, as you would need permission to change their layouts. Frequently, chefs often write recipes in an individual style, which does not help the ease of a well-formatted book.
  • Color photos of finished dishes add a tremendous value to your book. However, they also drive up the cost. If a photo is grainy leave it out.
  • Determine chapter headings before you start. In the first book I co-authored with Brenda C. Hill, Our Love Affairs with Food & Travel, we divided it by continent, country, state or providence, city and chef.  An standard alternative could be: Appetizers; soups; salads; main dishes; vegetables and sides; sandwiches; and desserts (cookies, pies, etc.). However, you may want something still different: Breakfasts; brunches; lunches; dinners; holiday dinners, and then categories within. Various alternatives work, it just is best to decide ahead of time.
  • When possible, try to keep one recipe to a page.
  • You want a table of contents as well as an index.
  • My suggestion would be to have at least 50 recipes and no more than 300. Larger books become quite costly to produce.

Things to avoid if you are self publishing:

  • Bulleted lists do not always convert easily into publishing programs.
  • Fancy fonts may be pretty, but are difficult for the reader.
  • Make sure the title can be read from 5 to 10 feet away.

Sources you should read first:

‘Will Write for Food: The Complete Guide to Writing Cookbooks, Blogs, Reviews, Memoir, and More’ by Dianne Jacob. This was updated in 2010. I have the older version and wish I had it before we did our first and second books.

‘Recipes into type: A handbook for cookbook writers and editors’ by Joan Whitman. This book is out of print, but I found my copy on Amazon.

‘The Recipe Writer’s Handbook’ by Jane Baker.

If you are self-publishing:

  • Many people who produce cookbooks for fundraisers use HeritageCookBook.com. I have not used them, but I know they are quite successful and they provide many tips.
  • We used InfinityPublishing.com and they were good. Now that they offer color, they are even better. You only need to order a few with Infinity, as they are print-on-demand.
  • You’ll need a very detailed marketing plan. I can’t over emphasize its importance.

If you plan to have a traditional publisher:

  • Remember, there are over 15,000 cookbooks a year that get submitted and the number keeps growing. What hook will your book have that will make it worth the investment by the publisher?
  • If you feel your book should be traditionally published, you will need: An agent, a good book proposal, and an exceptional marketing plan. You will also need to show statistics on similar books. It generally takes months for an agent to find a publisher and then 15 months to two years to get it published.

This is not meant to discourage you, but rather to be sure you are realistic in what you want. Even though we did have a small publisher lined up, we chose to publish independently, as we did not want to wait two years. We are happy we did things our own way. Did we make mistakes, yes. However, we have learned from them.

If you are doing this for your love and passion for food, I’d say, “Go for it.”

CityRoom, JustLuxe, The Epoch Times, Big Blend, Spa Review Magazine, Global Writes

Finalist in the Writing and Publishing category of the 2009 Next Generation Indie Book Awards, “$uccess, Your Path to a Successful Book,”