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$uccess

Your Path to a Successful Book

Our $uccess blog will feature writing, marketing, and publishing tips we continue to learn since writing our 2009 INDIE Finalist workbook $uccess, Your Path to a Successful Book keeping our readers abreast of the everchanging skills required to write, publish and sell a successful book. We will also have guest commentators. Achieving your goals as a writer is what matters. Anything we can do to help you get there is our goal. We welcome your comments and hope you will sign up for our bi-monthly (or whenever we have enough material) newsletter.

Posts Tagged ‘Authors’

Proofing Your Book – It’s Important

Thursday, September 22nd, 2011

Proof time. There is nothing quite like the feeling of seeing your proof copy of your new book. What’s better, the final published copy.

When Brenda, Norm and I were in the midst of editing our proof of $uccess, Your Path to a Successful Book it was exciting. Naturally, we were hoping for just a few edits. The count went to 44. It reinforced the need for editing. Brenda and I don’t begin to catch what Norm does. It looks different in print than on the screen or just a document copy.

Our first book had over 150 changes, so we did improve.

Based on seminars and workshops Brenda and I have given and people asking us for a book, we decided to write $uccess. We’ve ended up with a book that we wish we would have been able to read before we wrote our first book together, Our Love Affairs with Food & Travel.

We want to thank all of those who urged us to write this book.

We don’t profess to be experts, but have learned a great deal from experience and our book reflects it. The section that is not covered in detail would be E-Books. They have rapidly evolved. I know a post is due soon on E-Books.  If anyone would like to make a post on E-Books, we would welcome it.

We invite comments and we are happy to feature tips from others.

CityRoom, JustLuxe, The Epoch Times, Big Blend, Spa Review Magazine, Global Writes

Finalist in the Writing and Publishing category of the 2009 Next Generation Indie Book Awards, “$uccess, Your Path to a Successful Book,”

Great Ways for Writers, Authors, Speakers, and Readers to Use Google+ by Carly Willsie

Thursday, September 1st, 2011

This post is from “The Big Bad Bad Book Blog.”

Gaga for Google

by Carly Willsie

Disclaimer: This post has nothing to do with Lady Gaga, so don’t get your hopes up.

Just when you finally figured out how to correctly use a hashtag, Google+ made its debut on the social networking stage. Perhaps you cheered the opening, quickly adding anyone and everyone on your Google+ radar. Or maybe you’re disillusioned with social networking and simply can’t take another alert on your smartphone, consequently letting out a resounding “Boo.”

Regardless of your relationship with social media—and before you either delete your invite or start posting dozens of photos of your grandma’s birthday party—consider using Google+ primarily as a networking tool.

Whether you’re a writer, reader, or presenter, Google+ likely has something to offer you. Read on for suggestions on how you can utilize G+ to your advantage.

G+ for Writers

G+ Hangouts is a great way to keep in touch with fellow writers, especially if you’ve attended a writers’ conference and want to continue getting feedback from participants you particularly clicked with. Hangouts is essentially a videoconferencing tool. You can connect with up to ten people, and G+ recognizes when someone is talking, focusing the video stream on that person until someone else speaks up.

The feature also offers excellent networking opportunities if you participate in NaNoWriMo (National Novel Writing Month, which takes place in November), or any other sort of marathon writing event.

Hundreds of writers are already organizing cowriting events on G+, rejecting the solitary nature of writing in exchange for interaction and peer motivation. Creeped out by the idea of watching others write but still want the feedback? You can minimize your screen and mute your microphone while writing, and then rejoin your group during chat breaks.

Mary Robinette Kowal suggests the following steps to create a writing meetup on Google+ Hangouts:
1. Put up a post saying that you are going to have a writing date at [x] time OR just spontaneously open a hangout.

2. As soon as the hangout is open, place a comment on it that states that it is a writing date and what the parameters are.

3. Suggested parameters: “We’ll chat for fifteen minutes. Then at quarter past we’ll start writing for forty-five minutes. On the hour, there’s another fifteen-minute break for chat . . . Rinse and repeat. If you want to join in mid-way, that’s fine, but we’ll just wave at you until the next break.”

4. Continue until you need to log off. If the other participants are still going, they will be able to keep writing after you leave.

If you’re at all nostalgic about your college workshop days of wacky writing prompts and open sharing, you should definitely find a G+ writer’s group to join.

GalleyCat is collecting a list of writers interested in connecting on Google+. If you want an easy way to find dozens of new friends, check it out.

G+ for Authors

Authors, consider using Google+ to organize initial readers of your manuscripts. Use your blog or newsletter to choose a group of three to ten beta readers and send them your piece. Ask them to read it over the course of the week and decide on a time to chat about their reactions and suggestions.

Google+’s main claim to fame is its personalized sharing features; authors should use this to their advantage. Unlike Facebook, Google+ allows you to easily group people and decide what you share with particular groups. This feature, called Circles, enables you to share a link with a specific group—say “readers”—but not with another—say “family.” Target your fan base by posting news to them without spamming your family and friends.

You could also organize virtual book events to interact more directly with your readers. If you have a good blog or fan following, announce a G+ “book tour” date. Encourage fans to post questions and connect with them via Hangouts or Circle posts.

G+ for Readers

Virtual book clubbing is another great way to use G+. If you have a club on GoodReads or a virtual club over email, migrate the group to Google+. Instead of simply messaging or emailing about the book, get onto Hangouts to have a face-to-face conversation.

If you are involved in any genre reading groups, fan clubs, academic conferences, literary holidays (like Bloomsday), or reading events (like  the thirty-hour reading of Moby Dick that happened earlier this year in Portland) you could also organize Circles to facilitate sharing of interesting research and articles related to your topic of choice.

G+ for Speakers

Professional speakers can also use Google+ to expand their reach. Use blogs and forums to identify influential people in the expertise circle you should be connecting with. Add them on G+ (unlike Facebook, it’s not taboo to add people on G+ you’ve never actually met) and position yourself as a pro by hosting workshops, webinars, or live tutorials to select circles through Google+ Hangouts. Offer cooking classes, marketing webinars, or personal finance workshops—whatever will build your online platform in the arena of your personal expertise.

Google+ may not be as insanely popular as Facebook yet, but it’s never a bad idea to get in on the ground floor of a social media movement. If you’re a little timid about getting started on Google+, check out this collection of fifty helpful get-started links.

I want to thank Carly for writing such a great article. I encourage you to read other posts on her BigBadBookBlog.

CityRoom, JustLuxe, The Epoch Times, Big Blend, Spa Review Magazine, Global Writes

Finalist in the Writing and Publishing category of the 2009 Next Generation Indie Book Awards, “$uccess, Your Path to a Successful Book,”

12 Points About Book Signings – E. Keith “JB” Howick, Jr …you’ll get out of it what you put into it

Tuesday, May 3rd, 2011

Blow Us Away

Frequently, I’ll quote some words or opinions from “JB” Howick, Jr. It seems like I know him personally, but we’ve never met except through a publishing list and my reviewing his book, Blow Us Away! Publishers’ Secrets for Successful Manuscripts, which is an accurate description of what publishers are up against. In general, I usually agree with most of his points and they are said succinctly.

His comments on what his firm has experienced with book signings, I personally believe applies to most publishers. He also has some creative thoughts on e-books at the end.

Our own experience with signings is that there is a great deal of science to the art of author signing events.  In our experience…

  1. The bigger the city, the easier it is to draw people.
  2. The bigger the bookstore, the easier it is to draw people.
  3. Trade bookstores (stores that sell just about anything) are not as useful as niche bookstores (stores that cater to a specific crowd) so long as your product fits the niche well.
  4. Well-established independent bookstores often draw more people than any other bookstore.
  5. Unknown fiction authors should expect few people until their notoriety grows.
  6. Narrative non-fiction (e.g., history books) that aren’t scheduled alongside a supporting event (e.g. veteran’s day for military history or a local historical celebration) should not expect many people.
  7. All other things being equal, problem-solving non-fiction (how-to, self-help, educational, etc.) usually draw the biggest crowds. This isn’t to say a fiction author can’t draw a bigger crowd, but the author would likely need considerable fame to make it happen.
  8. Authors that just want to sign books and meet consumers should expect to be bored.  Signings work best when accompanied by an activity.  (Not all bookstores allow activities.)
  9. Authors and publishers should be willing to contact every newspaper, magazine, TV station, radio station, club, association, reader circle, and interested community organizations, non-profits, governmental agencies, retail outlets … heck, even other bookstores (neener, neener), in an effort to maximize the opportunity for exposure.  We once had a signing for the author of a biography about a terminal cancer patient.  We sent press releases to hospitals and some actually posted the event announcement in their oncology wards — some people even came based on those postings!
  10. Authors and publishers should care about who else is signing during the previous and following week, no matter where.  A romance author scheduled at the local B&N while the borders across the street is hosting Jackie Collins shouldn’t expect much.  Authors and publishers should also care about what major events are happening.  We’ve had several signings that took place during major sporting events with quite a negative impact.
  11. Success is measured by the total increase in book sales in the area, not just the number of books sold at the event.
  12. Except for the host store, which really only cares about sales of your book through it.  A bookstore will be willing to host you again if they experience good sales during the event or during the following week, but won’t if they don’t.

Planning a good signing is almost as complex as the general marketing plan.  Unfortunately, most new authors believe that signings are magic.  If I schedule them at their local B&N people will be lined up at the door to meet them.  Setting good initial expectations helps, a willingness to work with a publisher to fine tune the signing process (e.g., the supporting activity, the announcement message, etc) also helps.  In the end, you’ll get out of it what you put into it.

… And, after all that, you might only sell three books.  Consumers are capricious.

Finally, it may seem obvious that ebooks don’t lend well to book signings, but what may not be obvious is how they affect the concept of book signings.  We’re starting to experiment with an ebook-first-print-second model in an effort to expand our catalog.  That doesn’t mean signings are dead until fame is achieved (justifying the print book) … it just means the nature of signings changes.  Signings might be replaced, for example, with webinars … and the promotional rules change with the venue.  If people really are interested in collecting autographs, maybe send an 8×10 of the book cover with the author’s signature as a thank-you for buying the ebook!  Ebook trading cards, anyone?
Cheers,
-JB–

E. Keith “JB” Howick, Jr.
President, WindRiver Publishing, Inc.

CityRoom, JustLuxe, Big Blend, Spa Review Magazine, Global Writes

Finalist in the Writing and Publishing category of the 2009 Next Generation Indie Book Awards, “$uccess, Your Path to a Successful Book,”